Poetry
Tomasz Bąk
Wbrew zębatkom, po myśli piasku
Poetry
Tomasz Bąk
Wbrew zębatkom, po myśli piasku

Publisher: WBPiCAK

Creating, not creation

 

The planet tries to convince us every day that beauty

is an option, and that most of the processes involved in living

are geared to efficiency, which, as it were, by definition

relegates aesthetics to a distant Excel spreadsheet.

 

But the world is a brain fuelled by hydrogenated fats

and its memory is poor, which is why most of those processes

contain hidden beauty, laboriously squeezed out

by people bound by employment contracts:

 

the loading of a container ship in the gathering dawn,

the play of sunshine specks on a shirt sleeve, a crispy croissant;

a motivated team plays cooperative Tetris and one by one

only the long blocks fall, the ones that are easy to fit.

 

And it is altogether lovely. A gentle breeze mixes with the smell of oxidised steel.

The earthy colours of the loading units harmonise with the orange

of the cranes and the blue of the bay. Beauty materialises at the other end

of the supply chain, and the team’s contribution is modest but notable.

 

Against the cogs, across the sands of thought

 

Museums and galleries prefer classical forms

not out of a love of beauty, but rather out of longing

for something that can be easily talked about:

 

when the incomprehensible pervades everything around us, we are

all the more eager to direct our gaze to the red bus shelter,

which remembers several generations of kids with their colourful,

noisy wheels gliding across the asphalt road.

 

Yes, we have built a world where the burden of anecdotal

evidence is carried in solidarity by the distant family

of the weeping cousin, but that’s not the worst of it.

We can’t stop adding more floors!

 

And when I turn to the labour theory of value,

it is not so that I can understand the prices better,

but in order to give the world a form.

 

Clusters

 

It starts with liquidity issues

at one of the companies in the region’s dominant branch –

furtive, nervous eyes of management, frantic

search for savings, accountants’ sleepless nights,

bitten nails, sallow complexion, falling hair.

 

In the end, employees are paid in kind

and in department store vouchers and even the best baristas,

veritable wizards of maximising the distance

between the cup and the spout of the coffee carafe

have to look around for another job.

 

The forces favouring clusters

eventually lead to their demise.

 

Hence we return to simple tasks

performed with simple tools.

 

As far as I’m concerned, a hammer will suffice.

 

The privateers

 

He was very highly developed in his private life –

whatever that meant. The bread he baked always rose

beautifully, soft on the inside and crispy on the outside.

Whenever he forgot to soak the nuts he wanted to mix in,

 

no matter, he could still chop them up just right,

and the blender’s blade stayed sharp and lovely. Walks in

the woods? Of course he did: he took a loved one, and the loved one’s

dog; he could tell species of plants and animals with the best of them.

 

Back home, he enjoyed playing music and other hands-on hobbies.

He knew every proven method to unclog the drain,

and in the bedroom something possessed him and, despite the state of his account,

 

despite all the development, he quietly asked her to tell him again,

that he had the right to be tired, so that he would never again have to

be tired in vain, so that he wouldn’t have to be tired illegally.

 

Central European Standard Time, the Time of the End

 

That part of the end of the world where you still have to

get up early for work, but when you get to the office,

it turns out that the short-haired, middle-aged lady

who, in October 2007, accidentally removed

the Internet Explorer icon from her desktop and thought

that she had deleted the internet (exactly the way one deletes the

internet), really did delete the internet (hey, dear youngsters,

it’s Internet Explorer, so the news spreads slower),

so you don’t really have anything to do, you clean your desk,

pull on your hat, step out into March, step out into the sunshine

and no one can stop you from getting a boob job.

 

Translated by Paweł Kaczmarski

Selected samples

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Mateusz Żaboklicki
Anna Świrszczyńska
Mirka Szychowiak
Filip Matwiejczuk
Justyna Kulikowska
Urszula Kozioł
Kamila Janiak
Urszula Honek
Zuzanna Ginczanka
Darek Foks
Kacper Bartczak
Justyna Bargielska
Joanna Kuciel-Frydryszak
Maciej Robert
Michał Książek
Natalka Suszczyńska
Małgorzata Rejmer
Grzegorz Bogdał
Andrzej Chwalba
Renata Lis
Andrzej Stasiuk
Julia Łapińska
Aleksandra Tarnowska
Kajetan Szokalski
Aleksandra Koperda
Marta Hermanowicz
Ishbel Szatrawska
Monika Muskała
Elżbieta Łapczyńska
Łukasz Krukowski
Adam Kaczanowski
Agnieszka Jelonek
Mateusz Górniak
Anna Cieplak
Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
121344
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Staniszewski_Kartel
Radek Rak
Agla
Urszula Honek
Honek
Kazimierz Orłoś
Orlos
Rafał Wojasiński
Tefil
Antonina Grzegorzewska
Grzegorzewska_drama
Józef Mackiewicz
Mackiewicz_Sprawa
Tobiasz Piątkowski, Marek Oleksicki
Piatkowski_Oleksicki_Ekspozytura
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Mackiewicz_Droga
Józef Mackiewicz
Mackiewicz_Bunt-rojstow
Witold Szabłowski
Szablowski_Rosja-od-kuchni
Andrzej Muszyński
Muszynski_Dom-ojcow
Wiesław Helak
Helak
Bartosz Jastrzębski
Jastrzebski_Dies-irae
Dariusz Sośnicki
Sośnicki_Po-domu
Łukasz Orbitowski
Orbitowski_chodz
Jakub Małecki
Malecki_SO
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Rembek
Krzysztof Karasek
Elżbieta Isakiewicz
Artur Daniel Liskowacki
Jarosław Jakubowski
Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło

69

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