Reportage
Tomasz Grzywaczewski
The Erased Borders. In the Footsteps of the Second Polish Republic

Although time is merciless, some survivors still live in the enclaves of their memories

The metal flap with the inscription „Briefe und Zeitung” opens a crack, revealing a slot for the postman to shove in the mail and the newspaper. In a house on the outskirts of Piaszno – once situated a few kilometers from the border, albeit on the German side – a solid wooden door separates the brick porch from the main body of the house. A semicircular window in the house’s sloping roof of ceramic tile looks down on visitors. A red-brick chimney climbs high into the sky. Outside, only the plastic PVC framing indicates that time has not stopped here and that the mail delivered daily to the household is no longer in German. The present owner, Urszula Landowska, takes small steps to cross the living room, pushes a heavy wooden chair away from the wall and slumps into its soft cushion. On the day of her birth in 1938, German border guards strolled around this room. Her father was a staunch communist who put up posters against Hitler in nearby Tuchomie. The locals were rather unimpressed by his views. They held him at gunpoint, threatened to kill him, and beat him up with a stake. The authorities watched his every move and when the war broke out, he got his combat boots from the Wehrmacht and was shipped off to Norway. During his absence, the communists had finally arrived in Kashubia. The old lady fixes her stare on the high-gloss tabletop.

‘Up to that point we lived completely normal lives, as if the war had never broken out. This was Germany. I was seven then, but I remember everything like it was yesterday. End of February 1945, bitter cold. At night, my mother dressed me in the warmest sheepskin coat and told me to climb on the cart because we were running away – first towards Słupsk and then Gdańsk. For three weeks I neither washed nor undressed. In the city we reached the port where a fishing boat was waiting for us. My uncle, my father’s brother, kept rushing us: „Hurry up, quick, before the boat sails away.” And it did sail away. A buzzing filled the air, black dots appeared in the sky, and bombs started to fall all around. Explosions, fire, flames. And thousands of people trying to board the great ship by the pier. Mostly women with babies, or kids my age, and old men. With suitcases, bundles, bags. Screams, panic.’

The woman gently strokes the lace tablecloth, moving the purple orchid closer to the middle. A calendar in Kashubian with photos from the entire region and a heart cut out of paper hang on a dark-brown tile stove standing in the corner. That winter they miraculously managed to board a ship to Germany and reach Bremen via Lübeck.

‘My mother and I were already feeling glad that everything would be fine after we had made it this far when the earth shook at night. Alarm sirens began to wail. The Allies were bombing the Germans. In a cellar, we lived to see the arrival of the English. One of them took my mother’s watch, while another wanted to rape her but stopped when the three of us kids started to yell hysterically.’

Due to exhaustion and frostbite, Urszula’s dad was taken from Norway to a military hospital where the end of the war found him. As soon as he recovered a little, he located his family in Dortmund thanks to his brother, and they tried to start a new life there. However, in 1947 they returned to Tuchomie to look after their ailing grandmother.

‘I couldn’t understand what happened here. It was Germany when we left two years earlier and then suddenly it became Poland. But I didn’t speak a word of Polish. Only German, with a little Kashubian. At church, I could only sputter three words, “Jesus”, “Mary”, and “amen”; at school, two: yes and no. Pretending to understand, I nodded my head while the teacher might as well have spoken Indian to me. The cover of the primer showed a doggy with the word “Ace” under it. So, I ran around the village shouting „Ace, Ace!” at every dog. Finally, a shopkeeper explained to me that „Ace” was a dog’s name while “dog” was a proper word for a dog. No one wanted to sit beside me at school because who would share a bench with Adolf?! The kids in the school yard kept calling me that.’

Excerpts translated by Mirek Lalas

Reportage
Tomasz Grzywaczewski
The Erased Borders. In the Footsteps of the Second Polish Republic

Although time is merciless, some survivors still live in the enclaves of their memories

Publisher: Wydawnictwo Czarne, Wołowiec 2020
Translation rights: Andrew Nurnberg Associates Warsaw, anna.rucinska@nurnberg.pl

Wiped off the map by the joint German-Soviet aggression in September 1939, Interwar Poland never regained its former territorial shape. However, its 5,529 km border left a permanent mark not only on the European topography, but above all on the minds of the past and present inhabitants of the pre-war borderlands. Today the witnesses of the erased borders are eighty or ninety years old. Although time is merciless, some survivors – miraculously saved from the ravages of war and driven out of their homes in the former Eastern Borderlands – still live in the enclaves of their memories, while others might longingly remember Poland from the doorsteps of their wooden, Belarusian or Ukrainian shacks. Thanks to the author’s excellent reporting sense, the story features lively characters with identities shaped by the centuries-old tradition of the territories where languages and cultures met. In addition to venerable seniors, we also hear the voices of their successors who – though born in a different reality – still live in the shadow of the pre-war border. The local customs and architecture preserved the traces of that border. Terse details and concrete images, like the hands of an elderly woman smoothing out the oilcloth on a tabletop, or a strong local flavour conveyed through colourful setting description, stand out among many narrative techniques that turn Grzywaczewski’s reportage into a vivid and potent testimony. This is nonfiction at its best, giving the reader not only a sense of direct participation in the story, but also a chance to appreciate how it was constructed. Showing the mechanisms behind momentous historical events as struggles to move the border posts dividing barnyards produces very authentic images that stay etched in our memory.

Ireneusz Staroń

Translated by Mirek Lalas

Selected samples

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Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
121344
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Staniszewski_Kartel
Radek Rak
Agla
Urszula Honek
Honek
Kazimierz Orłoś
Orlos
Rafał Wojasiński
Tefil
Antonina Grzegorzewska
Grzegorzewska_drama
Józef Mackiewicz
Mackiewicz_Sprawa
Tobiasz Piątkowski, Marek Oleksicki
Piatkowski_Oleksicki_Ekspozytura
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Mackiewicz_Droga
Józef Mackiewicz
Mackiewicz_Bunt-rojstow
Witold Szabłowski
Szablowski_Rosja-od-kuchni
Andrzej Muszyński
Muszynski_Dom-ojcow
Wiesław Helak
Helak
Bartosz Jastrzębski
Jastrzebski_Dies-irae
Dariusz Sośnicki
Sośnicki_Po-domu
Łukasz Orbitowski
Orbitowski_chodz
Jakub Małecki
Malecki_SO
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Rembek
Krzysztof Karasek
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Artur Daniel Liskowacki
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Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło

69

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Hubert Klimko-Dobrzaniecki
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Łukasz Orbitowski
Orbitowski
Małgorzata Rejmer
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Rafał Wojasiński
Olanda
Wojciech Kudyba
Kudyba
Włodzimierz Bolecki
Bolecki
Jerzy Liebert
Liebert
Wojciech Zembaty
Zembaty
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Musiał
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Lech Majewski
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Weronika Murek
Murek
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Swietek
Stanisław Szukalski
Barbara Klicka
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She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”

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