Short story collection
Kazimierz Orłoś
The Return

What, really, is life? Where does it lead?

I often walked along the path leading to the pine with the dried branch. I would gather slippery jack mushrooms in the pine copses and penny buns in the oak glades dappled with sunlight. Further on were some clearings where, in June, you could find wild strawberries. In the early autumn threads of gossamer would float about through the air above the road, some catching on the stumps, others sailing high above the field. Spotted nutcrackers would flit from hemlock to hemlock; I would sit upon the moss and rest.

Once, passing by that way, I heard a howl. It emerged from the oaken glades, from a distance, I reckoned, of about a hundred metres. I stood stock-still, listening. The howl was repeated every now and then: now loudly, now softly. Suddenly, it would grow silent, before resounding again. As I went on, slowly, I had the feeling that now it grew distant, now it approached nearer. Sometimes, it seemed like a whimper.

I decided to search for the trapped animal. And if necessary – to free it from its snare. Even if I’d have to return for snips or a hacksaw. I was certain that it was a dog, whose owner had left him in the woods, tied to a tree with wire. How many times have we heard of such a thing? Or maybe a fox, with iron claws gripping its paws? Would I be able to free a fox?

I entered the bright glade, pushing my way through the thick pines. I leapt over windthrows and waded through waist-deep grasses. Every now and then I halted and pricked my ears. The dog or fox was whimpering somewhere nearby. But here, among the thick pine growth, his voice was muffled, indistinct. I went back to the path.

A little while later I turned toward Lipów. Here too I heard the whimper. And again I entered the brush and circled around. It seemed as if the dog’s voice was coming from everywhere: left, right, echoing. I called out a few times: “Hey! Hey!” I was answered with silence.

Fifteen minutes later I returned to the path. I couldn’t find the dog. It occurred to me that it was all an illusion, all in my head, my ears, the way we sometimes hear that rushing sound in our ears. That animal doesn’t exist. That’s when I started to worry. As I was going away, I paused a few more times to listen. The howl came twice again, and then dead silence.

I came back the next day. I began a systematic search: I combed the woods – walking from the road by the lake to the path in the direction of Lipów. Through the scrub and the oak woods – back and forth. That dog (or fox) took voice less frequently now, but again – just like the day before – I heard the howl before me and behind me, from the left and the right. I scratched my arms on the pine branches. Jumping over a stump, I twisted my ankle. There was no dog to be found anywhere.

I kept up the search for a few days more. I always had hope – as long as I could hear him. I looked through the oak woods and the scrub. I peered into caves, depressions, and under fallen trees. Five days later he called out only once. As if from a distance and indistinctly. I called back: “Hey! Hey!” All I heard was my own echo. I waited a long time.

Threads of gossamer fly over the path. Rustling in the oak woods. Silence.


Excerpt translated by Charles S. Kraszewski

Short story collection
Kazimierz Orłoś
The Return

What, really, is life? Where does it lead?

Publisher: Wydawnictwo Literackie, Kraków 2021
Translation rights: Wydawnictwo Literackie,
Foreign language translations: Kazimierz Orłoś’s short stories have been translated into Czech, French and Russian, and have appeared in anthologies in Bulgarian, Estonian, Dutch, Romanian and Italian.

The Return is the title of the newest collection of short stories by Kazimierz Orłoś, a writer with an immense amount of works to his credit, who debuted in 1958. It must be understood from several perspectives and also in several dimensions. It is a return to the composition of short stories (following his two large tomes of memoirs), but it is also a return to places, and finally – to times.

Like few others, this Warsaw artist is able to capture in writing the Masuria region – the lake district in northeastern Poland – which is a place very special to him, and to which he devotes a few dozen narratives collected in his newest book. The quotidian life in the region, with its most simple activities – picking berries and mushrooms, digging wells, searching for a lost dog, listening to the song of an oriole and the chirping of a cricket – makes us halt and meditate on these simple things, from which musings we arrive at questions about human existence: What, really, is life? Where does it lead?

History has always been present in Orłoś’s writing: most recent history, wartime history, but above all that of the Polish People’s Republic, because that is the era in which Kazimierz Orłoś’s art developed. The story entitled “The Little Silver Plate” is very moving. It is the history of the degradation and profanity of something that might seem unchanging, holy and immaculate. In “Jacek” we meet a woman who at first arouses irritation in the main protagonist – again and again she stops on the street to stare at him. And finally the question tossed at the young man hurrying to the university classroom: “Jacek?” “Did he die in the uprising? He didn’t return home after the war from the camp, from banishment, from the Western or the Eastern Front? She waited on him, fooling herself that he would return, that he’s alive somewhere, maybe even next door. Even I might be Jacek.” So the author transports us somewhere back to the end of the 1950s. This book contains short stories that arose back then, though they were never published, such as the title piece “The Return”, which was read in installments over the radio in 1990. In this splendid, many-themed volume, we also find a description of the reality of the most recent years, marked with brutal political divisions. Two of the stories treat of this: “Thou Blessest Us” as well as “The Night of the Sovereign”. In this book we have the true return of a writer to the creation of literature in short form, of which he has been a master for many decades now.

Wojciech Chmielewski

Translated by Charles S. Kraszewski

Selected samples

Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Radek Rak
Urszula Honek
Kazimierz Orłoś
Rafał Wojasiński
Antonina Grzegorzewska
Józef Mackiewicz
Tobiasz Piątkowski, Marek Oleksicki
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Józef Mackiewicz
Witold Szabłowski
Andrzej Muszyński
Wiesław Helak
Bartosz Jastrzębski
Dariusz Sośnicki
Łukasz Orbitowski
Jakub Małecki
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Krzysztof Karasek
Elżbieta Isakiewicz
Artur Daniel Liskowacki
Jarosław Jakubowski
Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło


Marta Kwaśnicka
Piotr Mitzner
Paweł Sołtys
Wacław Holewiński
Anna Potyra
Wiesław Helak
Urszula Zajączkowska
Marek Stokowski
Hubert Klimko-Dobrzaniecki
Jakub Małecki
Łukasz Orbitowski
Małgorzata Rejmer
Rafał Wojasiński
Wojciech Kudyba
Włodzimierz Bolecki
Jerzy Liebert
Wojciech Zembaty
Wojciech Chmielarz
Bogdan Musiał
Joanna Siedlecka
Krzysztof Tyszka-Drozdowski
Jarosław Marek Rymkiewicz
Marek Bieńczyk
Leszek Elektorowicz
Adrian Sinkowski
Szymon Babuchowski
Lech Majewski
Weronika Murek
Agnieszka Świętek
Stanisław Szukalski
Barbara Klicka
Anna Kamińska

She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”

Wojciech Chmielarz

First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”

Anna Kańtoch

A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”

Marek Krajewski

The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”

Ks. Tomasz Stępień

This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”

Jakub Małecki
Szczepan Twardoch
Wiesław Helak
Maria Wilczek-Krupa
Anna Kańtoch
Rafał Kosik
Paweł Sołtys
Dorota Masłowska
Wiesław Myśliwski
Martyna Bunda
Olga Tokarczuk
Various authors
Mariola Kruszewska
Waldemar Bawołek
Marek Oleksicki, Tobiasz Piątkowski
Wojciech Tomczyk
Urszula Zajączkowska
Marzanna Bogumiła Kielar
Ks. Robert Skrzypczak
Bronisław Wildstein
Anna Bikont
Magdalena Grzebałkowska
Wojciech Orliński
Klementyna Suchanow
Andrzej Franaszek
Natalia Budzyńska
Marian Sworzeń
Aleksandra Wójcik, Maciej Zdziarski
Józef Łobodowski

The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”

Piotr Zaremba
Wacław Holewiński
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