Literary novel
Dominika Słowik
The Hibernation of Bees

A new book by one of the most promising Polish writers of the younger generation

Or perhaps it started when they cut me in half?

I remember I was only able to move my head. Next to me lay Magda, whom I didn’t know at the time, but had heard about from Grandmother Sarecka (who had already left me her estate by then). Above my head I could see the dado of the sports hall, the dirty ceiling, the tissue paper rosettes, the letters cut out of styrofoam. Somewhere at the back there was a screen covered with navy blue fabric with silver foil stars all over it. They looked like yellow splodges. The PE teacher Baniowski’s board with exercise instructions filled with figures halted mid-mechanical-move. The man who was cutting us, panting, as if it really was a gruelling job. His breath smelled foul. He touched my head before he started sawing. He was holding a toothed saw. My father was in the audience, he had taken time off work especially for this, and was clapping in delight. I tried to look down, I wanted to see what the saw was doing to my body, but the view was obstructed by the edge of the wooden box from which only my head was sticking out. The rest was kind of not there.

When the man finished, he took a piece of paper – a regular sheet of paper – and slipped it into the slit, into the incision mark, and this sheet – I could distinctly feel it – flitted straight through me, dropped to the floor and skidded across the parquet as far as the audience’s feet.

When it was all over I found out that we were chosen because of our shoes: Magda and I both had the same green plimsolls which, for some reason, mattered in the trick presented in our primary school by the travelling magician, who was performing in provincial educational establishments to make some money.

My father, when I was telling him the day before that I needed money for the ticket, had become strangely excited. At that time, he was still hoping to find an opportunity to experience a real miracle.

So I wasn’t surprised when the following day I saw him nudging his way forward through a crowd of small kids. Clearly thrilled, he sat on a bench that was too low for him. His knees went all the way up to his chin. He had lied at work that I was unwell and he needed to take me to the doctor’s.

The magician was wearing a tailcoat made of shiny fabric and a lopsided top hat. When he announced the most important trick in the programme – cutting a person in half – and asked for “willing volunteers”, almost all hands shot up. Today I can’t remember any more if I did volunteer, I don’t think I did, because I was staring in embarrassment at my father, who was also waving his hand in the air, with some peculiar tenacity on his face, as if he really cared deeply about being chosen by the magician.

One of the teachers pushed an anxious pupil forward, but the magician shook his head and shouted, ‘Ladies and gentlemen, dear audience, this time I would like to invite some girls to come forward! Two brave girls!’ This was embraced by the audience, because at the time they were showing Copperfield’s shows on TV, and indeed, it was always women who were cut in half. The magician looked keenly around, as if searching for something or somebody specific, and then, before I knew what was going on, he grabbed me by the hand and pulled me into the centre of the room.

I like to think that it started with being cut in half.

I had watched Magda for a long time in the school corridors, but she didn’t seem to notice it at all. I think I was most fascinated by her thin, cotton gloves, which she never took off.

The Dygnar girl was in a different class than me. She probably didn’t even remember me. After all, when she was being cut in half, she wasn’t even looking in my direction.

But still, when we met a few months later in front of the school nurse’s room, she looked at me with such attention, that I blushed. […]

I was surprised to find Magda there with me. We were waiting for our Year 10 health check-ups, but Magda was a year above us. Only later did I find out that the Dygnar girl had started school a year early.

Excerpt translated by Anna Błasiak

Literary novel
Dominika Słowik
The Hibernation of Bees

A new book by one of the most promising Polish writers of the younger generation

Publisher: Znak Publishers, Kraków 2019
Translation rights: Znak Publishers,

A town cut off from the rest of the world, and in it, a closed society in which we find the family of the narrator, a girl who talks obsessively. She must keep talking, about everything, giving testimony to a mass of incredible events, shocking and even terrifying the reader.

A woman neighbour sings from the rooftops. Strange things are going on with a sacred image and statue of Mary in the church. The narrator’s father indulges in esoteric practices. Chickens which have been sold return to their former owner. The narrator has not seen all these things with her own eyes; she often repeats absurd gossip which builds up to nonsensical aggregates, which she later undermines, for she herself is not sure what actually happened, and what only seemed to happen in the eyes of others.

Are the residents of the town regular people, or superstitious idiots blathering about fantastic things, unable to come to interpretative terms with an overabundance of strange, troubling phenomena? Does the pathological flood of words that leaps from the narrator’s lips spring from the unhealthy atmosphere of gossip around her, or is it her storytelling that is imposed on others? And because she herself doesn’t believe in coincidence and the nonsensical nature of mysterious happenings, she strives to impose her own sense upon them, with varying degrees of success, ordering the chaos logically, objectifying it, straining the probable from the improbable, searching for rational explanations.

The Hibernation of Bees is prose which is female and male at the same time. Its femininity becomes apparent in the initial portions which concentrate on menstruation, the body, and physiology. Its female characters are strong, active and capable, the men – weak and marginalised. We get the clearest picture of the narrator’s mother and her ruthless, vicious grandmother, an ex-communist, as well as her father, a coward and conformist with a black-and-white view of reality, the opposite of these three active women. Misza and Hans, the narrator’s friends, are also important characters. She shares adventures with them, which draws Słowik’s debut novel towards the adolescent genre of Bildungsroman. All of these characters constitute a well-developed gallery of original figures, rich, varied, each with his or her own history or past trauma.

Grzegorz Filip

Translated by Charles S. Kraszewski

Selected samples

Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Radek Rak
Urszula Honek
Kazimierz Orłoś
Rafał Wojasiński
Antonina Grzegorzewska
Józef Mackiewicz
Tobiasz Piątkowski, Marek Oleksicki
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Józef Mackiewicz
Witold Szabłowski
Andrzej Muszyński
Wiesław Helak
Bartosz Jastrzębski
Dariusz Sośnicki
Łukasz Orbitowski
Jakub Małecki
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Krzysztof Karasek
Elżbieta Isakiewicz
Artur Daniel Liskowacki
Jarosław Jakubowski
Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło


Marta Kwaśnicka
Piotr Mitzner
Paweł Sołtys
Wacław Holewiński
Anna Potyra
Wiesław Helak
Urszula Zajączkowska
Marek Stokowski
Hubert Klimko-Dobrzaniecki
Jakub Małecki
Łukasz Orbitowski
Małgorzata Rejmer
Rafał Wojasiński
Wojciech Kudyba
Włodzimierz Bolecki
Jerzy Liebert
Wojciech Zembaty
Wojciech Chmielarz
Bogdan Musiał
Joanna Siedlecka
Krzysztof Tyszka-Drozdowski
Jarosław Marek Rymkiewicz
Marek Bieńczyk
Leszek Elektorowicz
Adrian Sinkowski
Szymon Babuchowski
Lech Majewski
Weronika Murek
Agnieszka Świętek
Stanisław Szukalski
Barbara Klicka
Anna Kamińska

She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”

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Anna Kańtoch

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Marek Krajewski

The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”

Ks. Tomasz Stępień

This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”

Jakub Małecki
Szczepan Twardoch
Wiesław Helak
Maria Wilczek-Krupa
Anna Kańtoch
Rafał Kosik
Paweł Sołtys
Dorota Masłowska
Wiesław Myśliwski
Martyna Bunda
Olga Tokarczuk
Various authors
Mariola Kruszewska
Waldemar Bawołek
Marek Oleksicki, Tobiasz Piątkowski
Wojciech Tomczyk
Urszula Zajączkowska
Marzanna Bogumiła Kielar
Ks. Robert Skrzypczak
Bronisław Wildstein
Anna Bikont
Magdalena Grzebałkowska
Wojciech Orliński
Klementyna Suchanow
Andrzej Franaszek
Natalia Budzyńska
Marian Sworzeń
Aleksandra Wójcik, Maciej Zdziarski
Józef Łobodowski

The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”

Piotr Zaremba
Wacław Holewiński
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