An important voice, above all, in the context of Biopolitics and Transhumanism
In recent years one hears ever more frequently about the crisis of the West, its sickness, its twilight, and even its demise. Some politicians speak of this (eagerly making use of the rhetoric of the coming catastrophe for political gain), as do publicists, artists and teachers, as well as many political scientists, scholars of culture, and philosophers. Conferences, debates and symposia are organised, the goal of which is to throw light upon the symptoms, and propose diagnoses of the lethal causes of the supposedly moribund condition. The West, as a certain defined type of cultural-civilisational formation, as a complex of historically conditioned, characteristic spiritual, moral, creative and socio- political practices (which have a range somewhat beyond the geographical borders of Europe, containing as they do Byzantine and non-western territories) should be – before our eyes – inexorably and finally approaching the exhaustion of its constitutive powers of creation and self-sustenance, simultaneously succumbing to multifarious external threats. Chief among these would be the demographic pressure of the southern peoples and the economic pressure of the mighty economies of Asia and the Far East. Thus the West – it is said – is in decline, as once the Roman Empire, geopolitically and demographically exhausted, spiritually indifferent and militarily and socially exploited to the maximum, fell beneath the blows of wild, yet vital and power-hungry Vandals, Alemanni and Lombards. Of course, this sort of predicting and prophesying is nothing new. It constitutes the repetitive refrain of nearly every reflection on Europe; after all, as early as 1917 Oswald Spengler published his famous Decline of the West. And he was not the first. For in the mid-19th century, Friedrich Nietzsche had already mercilessly described the deep crisis of European culture and its pertaining narratives in detail. In their own ways, the other “masters of suspicion” – Karl Marx and Sigmund Freud – pointed to it as well. All of these thinkers – as well as countless numbers of their more or less capable epigones – have argued tirelessly that Western man has undergone a transformation of epochal significance: he has lost faith in himself, in his founding myths and chief virtues, which means that he has exhausted his vitality – at least in the form in which it has appeared heretofore – as well as his ability to form and impose sense and meaning, in short, all that has made him, up until now, reasonable, courageous, creative, expansive and sure of himself. Some of them have stated this truth with unfeigned satisfaction – seeing in the formation of the West the root of all evil or, at least, spiritual mediocrity – others, not without sorrow or deep apprehension concerning the future.
[…]
For the West is beginning to worry about itself, to calculate, retreat, and “abandon” the realisation of its vital goals even where it still possesses the advantage and could achieve them without much trouble, so preserving the state of its spiritual and material possessions. But the West has begun to doubt in its God, who is the necessary foundation and philosophical support of all its values, power, art, law and customs, as well as knowledge, science, political stability and societal achievements. On the other hand, the instability of cultural bases and the contempt in which they are held, a direct result of their constant relativisation and ferocious, destructive self-criticism, which gives birth to distaste, and even disgust and hatred, constitute already terminal symptoms for the given formation. For no culture which has ceased to believe in itself and its historical mission can endure. An organism which turns against itself, which hates itself, which no longer wishes to live – must die. This process is known as an auto-immunological disease, and leads inexorably to death.
Excerpt translated by Charles S. Kraszewski
An important voice, above all, in the context of Biopolitics and Transhumanism
Bartosz Jastrzębski’s book is an unexpected and surprising defence of the heritage of Western Culture. Unexpected, as we’ve become used to expect criticisms of that culture. Surprising, as the study is carried out, not from a contemporary perspective, but rather a traditional understanding of the phenomenon of the West. For Jastrzębski repeats the now age-old definition of Feliks Koneczny: that the West is constituted of Greek philosophy, the Christian religion, and Roman law.
That these three ‘pillars’ of the West are shown to be strong and stable is the book’s next inspiring surprise, because of the fact of human mortality. In Jastrzębski’s musings, death is a constant point of reference, something that is well expressed in the title of one of the chapters, formed as a question: ‘Is a Person Born into the Process of Dying?’ The Christian understanding of death lends sense to the matter constituted by those three pillars. For Christianity understands death, not as an experience that reduces the value of human existence, but as an ‘eternising’ of human matters, as von Balthasar puts it.
The West’s memory of death is therefore a fuller memory of life. The message of Western culture is not ‘thanatic,’ but ‘vitalistic’ in the most noble sense of the affirmation of life. The spiritual and intellectual horizon of Western culture is the eternisation of life.
The topicality of Jastrzębski’s considerations has only been strengthened by the recent events of spring and early summer 2020 – and not only in the ad hoc, current, context of disrespecting Western culture, which has been expressed in an extremely destructive manner. The Light of the West is shown to be an important voice, above all, in the context of Biopolitics and Transhumanism.
Bartosz Jastrzębski’s book is a work that continues the reflections on matters most important to the identity of the West broached earlier by such remarkable authors as C.S. Lewis in his The Abolition of Man and MacIntyre in After Virtue.
Tomasz Garbol
Translated by Charles S. Kraszewski
Selected samples
She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”
First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”
A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”
The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”
This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”
The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”