LABYRINTH OF MADNESS
A hollow quadrangle in the wall, a door maddeningly multiplies somewhere,
where I don’t look, grows a door a hundred times as flat as a rectangle –
where I don’t go, there will be doors, and where I don’t come, they will remain,
until they grow a wedge in my brain – until they bite into me and lodge into me as a wound,
and there will be four-framed emptiness, and there will be the nonsense of four angles,
there will be the madness of wounded walls, its flesh has been torn out with a perch,
it will screw itself into the brain like a vortex with oblique turns,
a whirled array of doors, which together are and are not doors.
And in this madness there will come a thought that will pierce me like a motto,
that in the intricacy of hundreds of doors, one is silence and simplicity –
it will drive me backwards and forwards and each chasm torn into a square,
until at last unity takes me, battered before by multiplicity.
A thousand-thousand non-door-doors through which I must pass, though I don’t want to,
will lap up the threshold awareness with a toothless maw’s grotesquerie,
the thousand-thousand-and-first doors could already be huddling in peace,
but there is this lunacy, which prefers the pain of wandering to a port’s armour.
If I stop rushing forward in inhuman days full of human pain,
a thousand-thousand white days will pass through me in silence –
but I want at every painful blow to rush ahead eternally,
instead of waiting in the fog of deafening silence until the way out comes to me.
15 December 1933
JOYFUL MYTHOLOGY
Like Atlas I carry my own sky hard upon my shoulders –
upwards I extend myself with a plumb line:
of nitrogen –
of steam –
of oxygen –
the barometer of my heart presses blood like mercurial silver,
to measure the weight of happiness
on the scale of the sermon’s pulse;
but I know not at all the figures of which the scribe-compasses speak
and I know not the numbers of barometric pressures,
when at night the weight of the heavens
in the boughs
of my
arms
blossoms with the brightness of stars like a petite-flowered
cherry –
That’s quite the trick:
to bear one’s own happiness –
joyfully,
sacrilegiously
not to collapse below the borne sky –
– like Atlas, I carry hard upon my shoulders the blue space,
upon which the copper sun
marks
its course
in arnica. –
1 January 1934
ON CENTAURS
Sharpened verses, rhyme to rhyme, rubbed against each other with a chatter
– trust not the narrow faculties, that none would possess you,
– trust not fingers, like the blind,
nor eyes, like handless owls.
Here I preach passion and wisdom
tightly conjoined at the waist
like a centaur.
I profess the dignified harmony of a masculine torso and head
with the exuberant body of a stallion and thin hocks of its leg –
– to the cold, feminine cheeks
and haunches of rotund mares
they gallop majestically, the centaurs
in horseshoe bells from meadows of mythology.
Their passion focused and wise
and their wisdom smouldering like rapture
I found in a harmony dignified
and I alloyed them in waist and heart.
Take a gander:
a reflection
of an ancient face
entrusted its divinity to flushed horses,
and quivering senses rush through June
like trammeled steeds across the arnica.
EXPLANATION IN THE MARGINS
I did not arise
from the dust,
I will not return
to dust.
I have not come down
from the sky
and I will not go back to heaven.
I am heaven herself
just like a vitric ceiling.
I am the earth herself
just like native soil.
I did not escape
from anywhere
and I will not return
there.
Apart from myself, I don’t know another distance.
In the bloated lung of the wind
and in the calcification of crags
I must
find
myself
here
dispersed.
Translated by Alex Braslavsky
Poems reprinted with permission of the publisher. Originally published in:
Zuzanna Ginczanka
On Centaurs & Other Poems
World Poetry Books
2023
Selected samples
She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”
First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”
A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”
The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”
This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”
The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”